The revolving door of visitors to Chicago kept on swinging round and round and the good, good times kept rolling on making this April the absolute tits. Anyway in a one week, Mark and Pavan were in from New York for Whiskey Fest (more on that later) and then Regan the Strong-Armed-Ruler popped down from Bingo via Milwaukee (Spirit Animal Passover) to take in the sites and sounds of our grand city. During these monumental seven days I over indulged on friendship, spirits, food, the NBA playoffs (attending the opening game of the Bulls-Pacers series with Mark in his dads baller-ass seats), Art, Music (got a free ticket to Arcade Fire), and dancing. Needless to say I love my friends and feel very blessed to be so free, despite not being chosen.
ART!!!
Sooo...yeah, it turns out this next exhibit that I'm going to talk about WAS at the Art Institute, but expired the first of May. The show was compromised of three groups of pieces by Peter Fischli and David Weiss, who are photographers, sculptors, installation arts, and film makers extrodiare. Before I get to talking about the components of the exhibit specifically, I just want to talk and think about what it means for Visual Artists to work in a pair as a single unit. Usually artist prefer to work alone, being in complete control of their creative processes, and of course soaking up all the credit and acclaim themselves, individually. Clearly artists do not operate in a vacuum and have to work with their subjects and the tools of their media, but I think it's really swell that these two successful artists do what they do together and I found myself wondering about what their roles were in each of their works and how the created what they did together. So Fischli/Weiss are sort of surreal conceptual pseudo-dadaists, who take mundane everyday objects and arrange them to make their art in an delicate balance of chaos and order. In the sausage photographs Fischli/Weiss take objects found in the average swiss fridge and compose them in a manner to create typical tableaus, such as a beauty pageant or people shopping for rugs. Or in the quiet afternoon, the artist create and photograph sculptures of found objects arranged in a manner that defy gravity and our typical sense of space and composition, that look as though they have the sustainability of a snowflake. And finally in an installation called, questions, the artists project phrases of self doubt or witty observation temporary on the walls of a pitch dark room, creating what may be a representation of the constellation of thought of people passing each other in a public space or an homage to the human ability to repress unproductive thought.
WHISKEY!!!
MUSIC!!!
After much deliberation, hemming and hawing, and general consternation, I award 2010's silver medal to Halycon Digest by Deerhunter. Really, this year, there were a lot of competitors, who really brought their a-games, and my top two could have gone either way. But, there can only be one champion, and sorry to say, Deerhunter, you should have played it cooler. But second place is pretty darn good in my book. So this concept album is supposed to be about how optimistic people cast all of their memories, even the bad ones, in a good light-each song representative of a gilded retrospective. The results are tremendous, PSYCH rock at its best-transcendental soundscapes that hit you in the heart, gut, and balls (if you have them). Really, I can not say enough about how this album sounds, other than imagine the way your happiest memory sounds, convoluted as it may be. Check it out...









